I believe that pop can be saved by sounding broken. Pop can be saved by sounding wrong. Too much pop sounds too right too soon. The reason it sounds right is that it reminds us of something we've heard and accepted before. And the reason pop sounds initially wrong is that it's like nothing we've ever heard before. This "shock of the wrong" is incredibly important, because it's the most immediate indicator of a search for a new grammar and a new syntax in pop music. That search must go forward if pop is to remain vital.

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And that brings us to the criminal prosecutions by the RIAA of music fans in America who are caught file sharing. You can see these prosecutions in two ways. Either the RIAA, in their over-zealous attempts to enforce copyright and protect music industry professionals, are doing something so right it's wrong -- criminalizing the very people the music industry depends upon, its audience -- or they're doing something so wrong it's right: restoring a life-giving illegitimacy and danger to a medium which has become, in recent years, far too legitimate and far too safe for its own good.